2017 Season, Boom Artists, Indie Theatre Community, New Plays, The Reckless Season

The Reckless Season begins performances April 21st

Please join us for the World Premiere Production of

THE RECKLESS SEASON
Written by LAUREN FEREBEE
Directed by DOMINIC D’ANDREA

April 21st – May 7th, 2017

Starring CHASE BURNETT, BRIAN MORVANT, TRACE POPE and AMANDA TUDOR

It’s 2008 in small town USA, and there is nothing Norman Rockwell about it. Lisa and Simon used to be soldiers, but they’re trying to put all that behind them. Except Simon’s mother just committed suicide, Lisa’s marriage is falling apart, the local meth dealer won’t leave them alone and the only calm person in town is Simon’s odd brother Terry, who spends all his time playing video games. Wrestling with the aftermath of death, and realization that no one knows what comes next, these four Americans grasp toward adulthood in a place they dream of leaving.

Stage Manager: Elise Keller
Assistant Stage Manager: Alexandra Grant
Assistant Director: Caitlin Wees
Set Design: Scott Tedmon-Jones
Lighting Design: Kia Rogers
Costume Design: Vivianne Galloway
Sound Design: Andy Evan Cohen
Props Design: Julia Gjeka

Tickets: $25
@ TheaterLab NYC, 357 W 36th Street, NYC

2017 Season, Bardi Gras, Boom Artists, Boomerang Support, donations, fundraising, How you can help, Indie Theatre Community, Loveless Texas, New Plays, Shakespeare

Photos from BARDI GRAS

Thank you to everyone who attended BARDI GRAS on Tuesday Feb 28th at Madame X. A great time was had, music was in the air, and we raised some much needed funds for LOVELESS TEXAS coming up in Fall 2017.

Did you miss the party, but still wanted to contribute to the madness? Click here!

Here are some pictures of the shenanigans…courtesy of Isaiah Tanenbaum Theatrical Photography!

2017 Season, Bardi Gras, Boom Artists, fundraising, How you can help, Indie Theatre Community, Loveless Texas, New Plays, The Reckless Season

Bardi Gras! Feb 28th! Food and Fun and Booze! (did that get your attention?)

Hi all…We still have a few tickets available for our fundraising BARDI GRAS celebration this Tuesday Feb 28th at Madame X, “the sexiest bar in New York”. You dont want to miss this one!

Tickets are available here.

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2017 Season, Boom Artists, Indie Theatre Community, New Plays, Planning, The Reckless Season

Announcing dates and venue for THE RECKLESS SEASON

Hello everyone…

Happy New Year! We’re incredibly excited to announce additional details for the world premiere production of THE RECKLESS SEASON by Lauren Ferebee, Boomerang’s first production of 2017.

THE RECKLESS SEASON will begin performances April 21st, 2017 at TheaterLab NYC (357 W 36th Street, NYC). The production will be directed by Dominic D’Andrea, with designs by Boomerang alums Kia Rogers (Lights) and Philip Emeott (Projections), along with Scott Tedmon-Jones (Sets), Andy Evan Cohen (Sound) and Viviane Galloway (Costumes). Antonio Minino and Kampfire Films PR return to handle press/publicity duties. Full casting will be announced shortly.

About the play:
It’s 2008 in small town USA, and there is nothing Norman Rockwell about it. Simon’s returned home after two tours in Iraq to find his alcoholic mother dead by suicide and his younger brother, Terry, strangely obsessed with an early-90s videogame about ancient Sparta. Between Terry, Terry’s truck stop co-worker, Lisa, and Flynn, their mother’s co-dependent former drug dealer, Simon’s dream of peace and quiet quickly evaporates. Wrestling with the aftermath of death, and realization that no one knows what comes next, these four Americans grasp toward adulthood in a place they dream of leaving. 

THE RECKLESS SEASON will run for 14 performances from April 21st thru May 7th, 2017. Tickets will go on sale on Feb 15th.

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THE RECKLESS SEASON playwright Lauren Ferebee
2017 Season, Boom Artists, Boomerang Support, donations, fundraising, How you can help, Indie Theatre Community, New Plays

The Boomerang Community: Jack Halpin

As part of our campaign to support new play development in 2017, we’ve asked members of Boomerang’s artistic family to write about our company and what makes us unique for them. We hope that you will recognize our distinctive contribution to New York City theatre with a financial gift this holiday season. We’re challenging donors to commit to a recurring donation of $10 or $25 per month for the entirety of 2017.

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But don’t take our word for it…

jack-halpin

Sometime soon after moving to New York City I was fortunate to be introduced Tim Errickson. My first jobs NYC theatre jobs were mostly on the road and when I was able to focus more on life and work here, I became involved with the Fringe/Off Off Broadway/Independent Theatre scene, inevitably meeting Tim. Before actually collaborating with Boomerang Theatre Company I was welcomed as a guest, colleague and a friend by people I met there; I found a place that valued sharing and respect – a place where I felt respected for who I was and what I was able to bring to the room – a place that was doing some really cool work and had a vision.

When cast, I was given a wonderful variety of roles in plays and readings that spanned genres and styles. A 5 park tour of A Midsummer Night’s Dream. Chekhov’s Uncle Vanya reset in late 1980’s Bainbridge Island, Washington State. Backstage at a haunted drag club in Taylor Mac’s thoughtful short play written and performed in 24 hours. These plays and more challenged me in my craft and helped me find my place in the city’s theatre world. Moreover, I’ve seen some tremendous performances there and been able to work with some of my favorite artists. They’ve been part of my ongoing education as a theatre artist.

The folks at Boomerang became a tremendous resource to me when I took a leadership role at Art House Productions in Jersey City. They offered advice and support readily. Numerous performers have worked with both our companies. Boomerang became like a slightly older cousin to Art House, in my view; and while I couldn’t spend as much time, I always feel welcomed back.

Having spent much of my artistic work behind the scenes as well as in the spotlight, I observe how arts organizations affect not only the participants but also the greater community. From the popular free Shakespeare in the parks to accessible, affordable productions of plays from the classics the brand new, Boomerang Theatre Company has been consistently contributing to the cultural landscape of New York and the area for 18 years now.

That’s an achievement.

I’m happy they are taking a renewed initiative in the the development of original works for the stage.

Please consider helping support their vision.

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Boom Artists, Boomerang Support, donations, First Flight, First Flight New Play Festival, fundraising, How you can help, Indie Theatre Community, New Plays, Rock and Roles

The Boomerang Community: Gabby Sherba

As part of our campaign to support new play development in 2017, we’ve asked members of Boomerang’s artistic family to write about our company and what makes us unique for them. We hope that you will recognize our distinctive contribution to New York City theatre with a financial gift this holiday season. We’re challenging donors to commit to a recurring donation of $10 or $25 per month for the entirety of 2017.

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But don’t take our word for it…

gabby-sherba

Upon arriving in New York in 2009, I found myself sifting through scam artists and egomaniacs as I began my search for collaborators in theater and film. Suddenly, an abundance of bands and musical artists presented themselves with cooperative spirits of passion and oneness and very quickly soaked up the majority of my creative time and energy. I thought I might have stepped outside of theater altogether. ‘Yeah,’ I thought, ‘I guess NYC thespians comprise a rather hideous species; industry is a murderer of all beautiful concepts, etc.’

One day I was connected to Boomerang Theatre Company for an audition. I was alerted that the role in question would involve partial nudity but, after a week-long (possibly internal) exclamation of, ‘OH GOOD, MORE BLEEPING BUFFOONS TRYING TO GET ME NAKED UNDER THE GUISE OF A THEATER PRODUCTION,’ I met Tim Errickson and discovered in him and his colleagues sincerity, talent, and dedication of a caliber I had not yet encountered in this city. Soon I was enjoying Boomerang’s new works and innovative classical re-tellings from both audience and performer perspectives, and feeling incredulously grateful to have found a nurturing creative home amongst tremendous talent, vision, and goodness. The First Flight readings I’ve had the joy of acting in have given me wonderful scene partners, challenging material that I find engaging and relevant, and invaluable connections to people I admire and am so fortunate to now call collaborators. The Rock-N-Roles 24-hour play festival tradition has done the same in addition to demanding a spontaneous deepening expansion of my memory and of my improvisational skills and general fearlessness as both actor and musician, which is something I could be spending my money on trying to achieve in a class. I hope to see this kind of environment continually supported and thriving for many years to come.

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Gabby Sherba in “Drunken Angel” by James Comtois in Boomerang’s ROCK-N-ROLES: Country Rock Bootleg

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